Gabriel Saucedo
ABOUT THE COMPOSER
Gabriel Saucedo is a Miami-based composer and multi-instrumentalist who bridges the gap between classical, orchestral, and modern music. With roots in woodwind performance, and a lifelong passion for orchestral music, Gabriel’s sonic palette has rapidly expanded to include Metal, Jazz, Trap, Gospel, and much more. This diverse palette allows him to craft highly adaptable soundtracks—from lush, sweeping, orchestral tracks to intense, action-heavy, battle themes.
Beyond his musical intuition, Gabriel brings a distinctly technical mindset to his audio production. He isn’t just a traditional musician; he is a tech-forward creator who understands the structural demands of interactive media, even writing background music for private websites. Driven, and infinitely curious, Gabriel is dedicated to elevating digital worlds through immersive, emotionally resonant, and impactful compositions.
A Quote I Enjoy:
"Music has power that can change something in people and the world." -Keiki Kobayashi
SELECTED COMPOSITIONS
Of The Willow Tree
This is a piece inspired by the calmness, yet profound impact, nature has on me throughout my walks. This full composition was a milestone in orchestral writing and serves as a good representation of my sound.
I know I Miss Her,
The full title of this track is "I know I Miss Her, There's Nothing I Can Do, But Wish You The Best." There's a lot of emotional attachment in a sense of longing for someone dear to you that is out of reach. As I wrote this solo piano piece, it was clear that this compositionwas another well-representative showcase
This Ends With One Of Us Dead
This is a flip in the script where I showcase another side of my writing, where I incorporate more brutal genres such as metal/hardcore, while occasionally infusing that with symphonic layers. It's not just all softer music.
Mission Control, Ready For Take Off
A high-octane, ramp-up of energy as the track steadily progresses into launch. This piece takes influence from the music of Ace Combat, and is used as a tribute to such. It is slightly on the older side, but I do think it represents another side of my sound well.
Through The City Gates
A furling world ready to be explored, and so many new faces! This is also an older composition, yet I'm proud of it because of the MIDI programming at the start, along with the way it carries through until the end of the short piece. Many more pieces to write, and so little time!